Secret Societies and Biblical Prophecy
Is the end near? Are evidence-supported biblical prophecies littered throughout our history? Meticulously researched and edited, Secret Societies and Biblical Prophecy is an ambitious long-form work going back 5,000 years to ponder the answers to these profound and landmark questions. Essentially a work of faith-based historical assumptions, the film is a deeply watchable and thought-provoking experience.
From the film’s earliest moments, the filmmaker urges viewers not to view the material he presents in the frame of intrigue. To this end, he presents ample historical evidence that his claims fully support his conclusions. Of course, each viewer’s personal belief system may affect their sensitivity to their own ideas.
The film focuses on exploring evil through the example of the New World Order, a secret society that seeks to rule over the interests and beliefs of every citizen on Earth. This society arose in Roman times with the rise of Gnosticism, a religion that refused to seek salvation through Christ.
Throughout, the film attempts to illuminate sinister historical patterns by connecting ancient events to modern ones. The homosexual prostitution scandal engulfing the Reagan/Bush White House overshadowed the Knights Templar’s relegation to Satanism and bestiality. Originally founded in 1776, the Illuminati’s goal of world domination by abandoning the teachings of Christ is considered indistinguishable from that of communism.
Through the establishment of the League of Nations, the Council on Foreign Relations, and the United States Federal Reserve, the film parallels the continued dominance of the New World Order. Together, Ulrich argues, these groups exercise massive control over our media, our politicians, and our way of life.
Divided into dozens of accessible chapters and loaded with various media clips, Secret Societies and Biblical Prophecy is full of fascinating historical insights. Even those who disagree with the film’s themes and conclusions will find great value in its source material.
Directed by: Leonard Ulrich
