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The Age of Disconnection

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Connection is the key to our survival. In this fast-paced world of boundless excitement, we have lost touch with the natural environment that defined the origin of our species. This void leaves a huge space that we try to fill with mindless distractions and harmful addictions.

The theme of Age of Severance understands this dynamic all too well. A childhood of abuse and neglect left a deep bewilderment on them. They have lost the ability to connect with others and see the good in themselves. The demons they have evolved limit their full potential, often resulting in catastrophic self-harm.

This emptiness is not the only thing these themes have in common. Each chooses to face their demons by embracing the natural world around them. This film clearly demonstrates that the wonders of nature can be our most effective platform for healing.

Whether they choose to hike, surf, or simply move from the big city to the vast open countryside, every character in the film undergoes a cleansing of spirit and purpose. Their life stories are filled with deep disappointment and devastation, but their journey ultimately brings them peace of mind. They have overcome their abuse of alcohol and other drugs and now lead lives of clarity where they are free to be their true selves.

These profiles on courage and self-disclosure alternate with discussions with highly qualified addiction experts. They address the very nature of addiction. How does it reflect our sense of belonging and our desire for authentic connection?

The film is set in Mexico, but its teachings are likely to appeal to countless people in many parts of the world. It addresses the socially isolating aspects of the internet and its pursuit of consumerism at the expense of spirituality. The film also touches on the fact that we are actively destroying large parts of the natural world that could provide us with cures for many diseases.

The film’s message is perfectly supported by soulful photography and a patient, meditative pace.

Directed by: Cristóbal González Camarena

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