In the spring of 1947, hidden in the desert landscape now known as the West Bank, three shepherds stumbled upon a set of ancient scrolls. Little did they know that their discovery would soon represent the greatest discovery in the history of biblical archaeology. The Dead Sea Scrolls explore the history of these discoveries, examine what we have learned from them over the decades, and explain how they have shaped and challenged world consciousness.
In the decade since the original discovery, more scrolls have been found in cave settings in the region. These 2,000-year-old scrolls, which have not been seen in the years since their creation, contain nearly a thousand manuscripts of apocalyptic messages. As the film demonstrates, researchers have struggled to unlock the true meaning of the scrolls and the treasure trove of knowledge they contain.
The film divides the contents of these manuscripts into three groups. The first is material related to the Old Testament. Much of this information is similar to what we find in the Bible, although a few anecdotes present an alternative view of the biblical text. The second group is characterized by the literary heritage and the everyday culture and way of life of the time. The third and most controversial group of these documents are the denominational scrolls, which some scholars believe may describe much of the basis of early Christianity. While the similarities between the two teachings are obvious, the main difference between sectarians and Christians has proven to be a stumbling block for some.
The film delves into the development of religious teachings. To this end, it provides the context for the formation and eventual discovery of the Dead Sea Scrolls, including the ancient history of the Jewish people and the landscape in which they lived.
The Dead Sea Scrolls wade into this often thorny story with enormous authority. Unrelentingly true to the factual evidence, the filmmaker’s work is grounded. The film isn’t afraid to highlight inconsistencies, perceived differences, or lack of sufficient evidence. Deep narratives bring characters, periods, and conflicts to life.
Directed by: Pete Kelly
