China’s global influence and influence have made them a real global superpower. This status has been further improved by establishing a series of complex connections between Asia and the entire Europe. This is one of the most ambitious infrastructure projects in modernity. In the two parts of the documentary “New Silk Road”, two reporters discussed the subtleties of their architecture, which may benefit the greatest Chinese interests and citizens who affected their disastrous and affected their lifestyle.
In the first part of the documentary, film producers went to Pakistan from the busy metropolis in Shenzhen, China. The idea of the integration of the East and the West may sound like rural poetry and harmony on the surface. The cracks began to be displayed in carefully inspection. In Cambodia, the residents are talking about strangers in their own house. You admit: “The Chinese have taken over our city.” There are more and more rents, and indigenous people agree with rich Chinese tourists. The crime increased, but the local authorities were scarce.
The second part of the film follows the route of Gilgestein, Central Asia to Duisburg in West Germany. For many people, the construction of new infrastructure is a double sword. Despite these invasive factor, although China has invested in cities that have given this road, they still suffer more and more debt and environmental issues. When establishing these paragraphs, questions about the true intentions of the Chinese. Do you really intend to open trade and other choices between neighboring countries? Or maybe more shameful themes in the game affect military rule? Suspecting is full, but no one feels enough ability to slow down the “progress” forward.
In rural and oceans, film producers drove thousands of kilometers behind the new Silk Road to reveal the truth behind the facade. On the way, visiting many echoes that still accommodate the old Silk Road network, and encounters daily citizens. These citizens are in trouble between the promises of revitalization and the potential of despair.
Directed by: Normen Odenthal, Thomas Reichart
